It seems to me a lot of today's comedy is fireproof
"Worth a Sting? by Tony Iwane is licensed under CC BY-NC 2.0 (cropped)
Reading fatalistic acceptance and hence class unconsciousness in songs that fail to call for collective action against the capitalist owners, Peterson aligns his analysis of country music with the classical Marxist notion of working-class consciousness, a recognition of ones group membership and economic interests that finds its definitive expression in proletarian uprising
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These usually show characters who smoke and drink in social scenes, enticing quitters to feel that same level of enjoyment