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as well as reimagination and regeneration
Marsman considers
 The Poet Reclining: Selected Poems 1962-1980 (1982) and Shed: Poems 1980-2001 (2002)
language and reclamation
may experience his or her own fearlessness
The Mother House by Eiléan Ní Chuilleanáin Maria Baranda as well as reimagination andPoems in The Mother House range from the broad, surprising narrative swerve of She Was at the Haymaking and the mysterious wound in A Journey to the exact detail of the vessels tugging at their tether and the lighthouse keeper watching the great revolving spokes hitting the piled castles of spray. Stories of historical figures (including the authors relations) are filtered through tellings. Eilan N Chuilleanins meticulous, probing art is like no
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