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myrrh and the ground-up remains of Egyptian mummies
(Series 2)
Graham’s walnut oil medium is designed to augment the special nature of our oil color but is also completely compatible with other artists oil colors and mediums
Same tinting strength and opacity as Titanium White
it is best for creatives who want the texture of classic watercolor paper on the go
Azure hahnemuhle myrrh and the ground-up remainsWe took the same approach to designing Azure that we used to develop our Radiants. We began with a modern organic pigment as the foundation and then pushed it toward its limit in tint. Our intention was to craft a sky blue that was warmer and paler than Sevres, and that could fit right between Radiant Blue and Radiant Turquoise in color space. Pigment: PB15: 2, PB29, PW6 Vehicle: Alkali refined linseed oil Lightfastness I, Series 2, Opaque Color
