1974年大都會博物館首版《巨浪：日本木版畫對法國版畫的影響》The Great Wave: The Influence of Japanese Woodcuts on French Prints (1974) First Edition, Metropolitan Museum of Art, Provenance Signed Xiatu Cha’s mother Hyung Soon Huo

Cha’s mother Hyung Soon Huo (a Korean born in Manchuria to first-generation Korean exiles)

这是夜生活开始的时间。卢克明走在交相辉映的街上，车灯、霓虹灯、高楼上窗户的光亮、行人手机闪现的光亮……这些光亮汇合到一起，营造出欢快的情景。

" —Andrew Martin

In South Korea

they retained a fiercely independent

1974年大都會博物館首版《巨浪：日本木版畫對法國版畫的影響》The Great Wave: The Influence of Japanese Woodcuts on French Prints (1974) First Edition, Metropolitan Museum of Art, Provenance Signed Xiatu Cha’s mother Hyung Soon HuoDESCRIPTION & SUMMARY 185419Nabis Colta Feller Ives ManetDegasCassatBonnardVuillardToulouse LautrecGauguin 114 24 Summary Published in 1974 by The Metropolitan Museum of Art, this landmark volume investigates the profound impact of Japanese Ukiyo e woodcutsby masters such as Hokusai, Hiroshige, and Utamaroon 19th century French printmaking. Author Colta Feller Ives meticulously demonstrates how the French Impressionists and the Nabis incorporated