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addressing the frescoes of the beautiful ‘cloud maidens’
translated by Forrest Gander
they become a kind of memory theatre: for Jane Griffiths physical things are remembered both for their own sake and to explore how they continue to shape the self
In his first collection of completely new work since 2008's Keeping Time
disturbances - as well as the beauty - involved in self-representation in language
Terms and Conditions by Tania Hershman Elizabeth-Jane Burnett addressing the frescoes of theThere is a plentitude and a loss to Tania Hershman's Terms & Conditions. A plentitude of tones and forms and linguistic playfulness, and a fine sense of loss that spins and passes through the poems like the neutrinos she mentions in 'Undetected'. I love the collision of the personal and the scientific in this book, the way that the large and small events of life dance a quantum quadrille with language in the light received and emitted by the writer's
