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Not just for boom poles
Since its first appearance in 1993 the ACL "Lockit" has become synonymous for reliable on-set synchronization
In 2002 we introduced the R-122
eight faders and eight knobs get you hands-on with your music - and in any major music software
The FPGA-based DSP mixer adds a flexible
QWB Not just for boom polesIncreasing scene complexity, decreasing set up time, and the demand to have the microphone instantly on spot are common for location sets or ENG situations of today. These requirements make a wireless boom the system of choice. Although some manufacturers provide plug on transmitters for this purpose, these units lack the versatility of a traditional transmitter that can also be used to quickly wire up an actor or reporter on demand. Ambient Recording
