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yet infused with darker undercurrents and nightmarish imagery
Blood stone canyon
' New Statesman
Stephen Mitchell and Alastair Reid
co-existing on Earth with varying degrees of harmony
After Russia: The First Notebook by Marina Tsvetaeva (trans. Christopher Whyte) Carcanet yet infused with darker undercurrentsAfter Russia (1928) is considered to mark the high point in Marina Tsvetaevas output of shorter, lyrical poems. Tsvetaeva told Boris Pasternak that all that mattered in the book was its anguish. Breathtaking technical mastery and experimentation are underpinned by suicidal thoughts, a sense of exclusion from the circle of human love and companionship, and an increasing alienation from life itself. The sequence Trees evokes the hills and woods of
